4 Stars

The beauty of life often lies in its fleeting nature, even when a friend leaves this world behind, creating a void that seems impossible to fill. ‘The Box‘ plunges into existential tragedy, allowing a formative friendship to resonate with […]

Over-explanation often risks weakening a film’s emotional impact. ‘Something Red‘ understands this very well, building its force precisely through its refusal to say too much. In fact, director Jan Fabris uses ellipsis as a strategy to build tension, which […]

Beyond the pain of losing someone dear, grief becomes a force that compels us to look back at what has remained unhealed. In a similar vein, the short film ‘Time Will Tell‘ begins from this kind of family situation, […]

Some documentaries begin with an apparently simple question, yet end up touching one of the oldest and most intimate mechanisms of human life. ‘Know Fear, Know Freedom‘, directed by Heather McBride Manley, is built around fear in its many […]

The world does not disappear when we stop seeing it. Or, at least in ‘Borrowed Sight‘, sight is more than a biological function, becoming a fragile form of memory and survival. Hei Lit Ma’s short film follows the nocturnal […]

‘Robbery at the Rockvale Theatre‘ is the kind of feature film that knows its territory very well and works precisely because of that. In fact, director Jesse Edwards doesn’t try to turn a family comedy with teenagers, mystery, and […]

More than an art form, theatre is a space for confronting oneself. ‘Empathy Rehearsals‘ explores how performance can break through the defensive mechanisms of a teenager accustomed to communicating through intimidation. Without turning the school into a spectacular setting […]

In ‘Masterpiece‘, love takes on the texture of a surface painted by two people, where every colour added by one alters the intention of the other, and the work in progress gradually comes to preserve the traces of the […]

Fear begins with a scenario any parent can immediately understand: a child does not come home from school. Yet ‘Stolen‘, directed by Nikita Tsedryk, does not remain within the simple territory of parental anxiety, nor does it settle for […]

The fall is almost never a clear, easily identifiable moment. In ‘I Don’t Live Here‘, the loss of self emerges through a series of small gestures, an accumulation of lost nights and clumsy attempts to feel something real. Directed […]