Freedom always comes at a price. Especially when you belong to a social group that unfortunately struggles with discrimination. ‘Pictures Only‘ is a short film that tackles a sensitive social context while illustrating the challenges of everyday life from a double perspective. Director Charles A. Honeywood focuses on the 1950s USA, contextualising the inner conflict of a young African American woman who loses her job because of the discriminatory attitudes of others. Her story has a double valence: on the one hand, the director achieves the premises of a critique directed against a society that puts skin colour above all else, while, on the other, he uses the main character to offer a feminist insight with slightly militant overtones. The fictional construct thus enjoys a well-honed ideational consistency, even if the limitations of a short film prevent the creator from exploring the character’s psychological potential to the fullest.


After being laid off, Louise must find a new source of income. But apparently, the only way to find freedom is a rather “unorthodox” job. What should she do: continue to bow her head in a society that judges her for the colour of her skin or take advantage of her physical qualities to assert herself in a man’s world?


The short film showcases remarkable potential, highlighted by the exceptional performances of its talented cast and a well-crafted narrative and visual style. It delves into the intriguing idea of stripping as a form of domination and a counter to daytime discrimination, presenting an alternative nocturnal existence that challenges societal norms. Louise’s choice to become an object of men’s visual pleasure raises thought-provoking questions about female emancipation. Charles A. Honeywood skillfully navigates this complex paradox, ensuring that the quality of the film remains uncompromised. However, there is room for further enhancement in both technical and conceptual aspects. The transitions and edits could benefit from some refinement to smooth out the creative process. These minor adjustments, while not critical, would elevate ‘Pictures Only’ to a more polished and sophisticated level. With some additional development, this short film has the potential to evolve into an even more elaborate and impactful project.