If cinema is not only a way of exploring the challenges of human destiny but also a means of healing, then ‘Say My Name‘ is by far a worthy endeavour. All the more so since Rhoyce Nova’s short film is based on a true story and, by implication, doesn’t hesitate to portray some of the most violent and mean-spirited human manifestations in a cruel light. This film portrays intense suffering, which may come as a shock to viewers who are used to the polished, feel-good narratives commonly found in mainstream cinema. The cathartic ending that mainstream audiences often expect is not the director’s priority. Instead, Rhoyce Nova chooses to embrace a raw, unfiltered authenticity. Thus, the universe that opens before us is often uncomfortably similar to the world we sometimes refuse to accept. It is a world that has nothing to do with the rigours of a Hollywood story, a world in which ogres and dragons are not always punished by the defenders of good. But beyond all this plunge into human misery, a glimmer of hope could rehabilitate a tormented soul.

 

After a childhood marked by physical and sexual abuse orchestrated by her father, a young woman is thrown out of her home. Faced with a destiny marked at every turn by human misery and cruelty, suicide seems the only way out. Or maybe not.

 

In a somewhat “essayistic” experimental style, based on a fast-forward sequential cut but also on introspective moments and flashbacks, the short film condenses a human life into a few minutes, a striking and expressive autofiction that reflects the inner hell of any victim confronted with such abuse. Even at the risk of occasionally spiraling out of control, this whirlwind of shocking images and meticulously precise details is intentional. Director Rhoyce Nova understands that only a “neurotic” cinematic language can fully convey the depth of this emotional disaster. Therefore, the seemingly “chaotic” pace adopted by the director translates the very emotional chaos of the protagonist in a cinematic narrative constantly short-circuited by images and sensations depicting the extreme cruelty present in contemporary society. More than the personal story of a victim, ‘Say My Name’ is a necessary project, a manifesto that directly illustrates social evil, precisely to encourage action and a greater degree of compassion.

 

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